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The band seems poised to descend into incoherent chaos at any moment
in the late seventies
with layers of collaged synth stabs
Kveldstimmer
Grand Theft - Grand Theft LP NWOBHM The band seems poised toGrand Theft's lone 1972 LP stands as a peculiar, potent artefact of early 70s heavy rock, conceived in Seattle as a tongue in cheek jab at arena pomp, but abandoning parody for brute force. In a single combustible session, it leant on Dave Baroh's serrated guitar tone, Kevin Marin's thick, overdriven bass and Phil Klitgaard's forceful, unvarnished drumming, bringing about an impulsive coil of sound. 'Scream (It's Eating Me Alive)' and 'Closer to
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